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Gay male characters in SF
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Book reviews/essays: Gay male characters in SF

Here's a chance to express some opinions about the way that gay men are depicted, or not, in fantasy and science fiction, even if I can't make this as entertaining as my songs Kinsey Scale, Captain Jack and His Crew, etc. <p> It's interesting to compare the way that <A href="#SF">science fiction</A> or fantasy novels present male characters that happen to be gay or bisexual. Mostly it doesn't happen at all, of course; even though writers feel they have to give at least a glimpse of the characters' sexual feelings to make them seem well-rounded and three-dimensional, somehow 100% of them turn out to be heterosexual in most authors' fantasy and SF universes, instead of 90% in the real world. Gay or lesbian characters appear rarely, and when they do, their sexuality is usually central to their role in the story -- too often as a villain, e.g. Baron Harkonen in Dune . But there have been a few novels where the hero happens to be gay, and it's neither more nor less important to the story than any straight character's sexuality is. <p> The first I ever read, back as a freshman in college -- at least, if you don't count Dragonflight , Dragonquest and White Dragon , which indisputably hint (in three different places) that the men who ride green and blue dragons do the same thing as the men who ride bronzes and the women who ride golds, but so subtly that it's lost on most readers -- but beside those, the first was Door into Fire , Diane Duane's excellent first novel. She presents a society where it has apparently never occurred to anyone to invent a taboo that says you can love, settle down with, or even "share" yourself with only the opposite sex. So the main characters have no repressed guilt if their lovers are of the same sex, and can get on with the business of being heroes. (And with the business of being tormented by repressed guilt over unrelated issues having nothing to do with whether they have same-sex lovers.) That was really refreshing to see, and I'd go so far as to say that it's the kind of book that could prevent a few of the gay teenaged suicides if more of them could read it. They would surely want to live long enough to read the fourth book in the series, which should be out before they're 60, at this rate! It was years before The Door into Shadow was published, and I had to wait through a large chunk of my adult life before The Door into Sunset finally came out. I'm hoping that by a combination of a low-fat diet, exercise, looking both ways when crossing the street, safe bedroom practices, and maybe cryogenic suspension, I can be sure of getting to finish the series if the last book is even written at all, even if Diane lives to a ripe old age and the book is published posthumously. <p> For a more depressing book, try almost anything by Mercedes Lackey, who has never been kind to any of her characters. But relevant to this review is her Last Herald-Mage series, which has a gay protagonist. I enjoyed Magic's Pawn quite a bit. Not only was it nice to see some magic in Lackey's universe after three books about Heralds with wimpy "mind magic" ( Arrows of the Queen , Arrow's Flight , Arrow's Fall , <i>Arrows of Outrageous Fortune</i>), but it was also the just about first book I'd read in a decade that had a gay character, after about a thousand blatantly heterosexual characters in a row. (I also vaguely recall a lesbian character in Arrows of the Queen , albeit a slightly stereotypical one.) Magic's Promise wasn't a bad sequel, although for a while I thought that the unseen enemy Vanyel was holding off on the cover art might be his own parents. I liked Magic's Price much less, especially the part where Vanyel has to endure the fate that seems to be the lot of almost every major Lackey character. Still, it's a good series. I was disappointed when I heard that the tape that Firebird Music was doing, based on the series, would have no love songs about Vanyel (pretty unusual, since the tapes tend to focus on the emotional aspects of the stories, for a tape to have no love songs), and I wrote the song parody Condemnations in reaction to that. <p> I finally got tired of Lackey's Valdemar fantasies somewhere around Winds of Fate or Winds of Fury or some such long-winded book. They weren't bad, but there's some kind of didactic undercurrent to the writing style, in the use of emphasis, that makes me feel vaguely like I'm being lectured to, though I'm not always sure about what. After a dozen books, it started wearing on me. Also, it really bothered me that the enchanted sword Need (from By the Sword and the song "Kerowyn's Ride"), who previously had been very consistent about being used only be females, and it even says so on her warning label, casually decides to let a gay male mage use her in a ceremony because he's "in touch with his female side". It would be easy to get the impression that he was "in touch with his female side" <em>because</em> he was gay, or conversely that being gay automatically put him "in touch with his female side" -- presumably that's what he used to connect to the "male side" of other men. I would like to read more books where men are in love with other men <em>because</em> they're both men, not because one or both is "in touch with his female side" or even because "they're two people in love happen both to be men". We never hear that about heterosexuals, that they're two people who fell in loved despite their differences in gender. <p> As far as Lackey books with male relationships go, my favorite is another one with a windy title but set in a different (shared) universe, Reap the Whirlwind . <A name="Whirlwind"></A> I like the depiction of the strong friendship forming between two men from different cultures, and it's fairly central to the book. Now, there's no evidence that the two characters are sexually interested in each other; in fact, both are planning to marry women. (Cf. <A href="#2010">2010, below</A>.) But the nomad leader must marry out of political necessity, and the scholar is assuming, by default, that he'll marry a woman he's been close friends with since childhood. And actually, there <em>is</em> evidence, in the way the storytelling is arranged, that their relationship might have a dimension beyond friendship. We see the scholar's oldest male friend brooding over how they're both in competition for marriage the female member of their trio from childhood, and thinking, effectively, "If only he'd meet some nice young girl to settle down with, I wouldn't mind adding a fourth person to our trio." In the very next chapter, the scholar realizes that he's taking such a liking to the nice young guy from the nomadic tribe that he's started thinking of him as though he were a fourth member of the trio. The characters never realize it, but the implication is there for the readers, since we get to hear what everyone's thinking. Anyway, I personally like reading that sort of stuff, with the good-natured banter even if minus the sex, better than the more maudlin writing in the Vanyel books ( Magic's Pawn , Magic's Promise , Magic's Price , <i>Magic's Profit</i>, <i>Magic's Cost-Benefit Analysis</i>; see above), where Vanyel has an out-and-out sexual relationship with another man, but they never seem to have time to enjoy it. Diane Duane always gives me the feeling, in the subtly worded love scenes in Door into Fire , The Door into Shadow , and The Door into Sunset , that Herewiss and Freelorn matter as much to each other as their respective quests for magic power and kingdoms do, and that when they get a chance to spend time together, it's a temporary but welcome respite from the political, personal, and tactical problems each has to struggle with. Their dialog has the flavor of a male relationship, while being a loving and passionate at the same time. <p> <A name=SF> As for science fiction, as opposed to fantasy, I can't think of many examples. I've been told that it's because "hard science fiction doesn't deal so much with social issues", but somehow, even hard SF keeps portraying heterosexual characters and that isn't considered to be dealing with a social issue. <p> One really good book that has a minor character that just happens to be a gay man is Dream Park , a well-thought-out virtual reality novel. (That's how you can tell it wasn't written solely by Larry Niven. The character, that is. It never seems to occur to Niven to populate his Known Universe with anything but heterosexuals. Maybe it was bred out of the race in prehistoric times in that universe, since in that universe, even a quality like luck can be bred if it makes someone produce more children. His books with Barnes tend to have a richer viewpoint.) The character was named Alan, and I wonder whether they consciously named him after computer pioneer Alan Turing . I realized by the end that they had put the character in to balance something else that happens later. But I really enjoyed the book in general, and its sequel, The Barsoom Project , and would immediately buy anything else they write in that series. <p> One of the grandmasters of the SF field, Arthur C. Clarke, seems to have made it a practice in his more recent work to include one or two gay or bisexual men as minor characters. Sometimes it's very subtle, as in the description of the relationship of the first two men to explore Rama in Rendezvous With Rama . It was much more explicit in the 2010 novel , <A name="2010"></A>with the fling that the American engineer has with the Russian pilot. Actually, I was dissatisfied with that, compared to the 2010 movie . In the movie, there's no evidence of a physical relationship, but there's a really good portrayal of a strong friendship forming between the two men, despite the uneasy relationship between their countries. It's just like <A href="#Whirlwind">what I said about <i>Reap the Whirlwind</i> earlier</A>. In the novel, we hear that they're having an affair, but there's little sign that they care about each other beyond satisfying physical desire, and at the end of the novel they're both planning on marrying female crewmates. Given the choice, I think I liked the version of them in the movie better, although combining the two would have been idea, in my opinion. <p> Finally, I should mention Ring of Swords by Eleanor Arnason, which is an SF novel that actually explores a culture where homosexuality is the norm and they have taboos limiting interaction between men and women. It's very well written and thought out.

Bob Kanefsky ~